The Tea Party – Exotic Instrument Demonstration

This was a really classy move by a young and extremely talented band.

This video was included as a multi-media piece on The Tea Party’s Alhambra acoustic CD and is a 9 minute demonstration and explanation of the exotic instruments they used on their seminal The Edges of Twilight CD.

I remember interviewing these guys back in my radio days before their November 1995 show at The Varsity in Baton Rouge, LA and if memory serves me correctly they told me they blew most of their recording budget on these exotic instruments.  If this is true, it was money well spent.  Enjoy Abysmally…

The Tea Party – LIVE: Intimate & Interactive (DVD)

i&i 2007 Linus Entertainment

I’ve liked this band since I first heard their debut single “The River” from their Splendor Solis disc back in 1993.  I’ve been a total fan since their classic The Edges of Twilight disc was released in 1995.  A band of total pros making incredible music, if perhaps taking themselves a tad too seriously at times.

Live: Intimate & Interactive was recorded for the Canadian program MuchMusic (in 1998 following the Transmission CD and 2000 following Triptych), in a very intimate setting with a very appreciative audience.  Watching this DVD was a reminder of why The Tea Party’s performance in November 1995 at The Varsity Theatre in Baton Rouge, LA (opening for Ian Moore) remains to this day the best live performance I’ve seen from any band in my life.   The variety of instruments and sounds was/is just incredible…especially when you consider that they’re a three piece.

While Jeff Martin is the front man and definitely a stylish guitar player (he’s known for numerous alternate tunings) with plenty of chops, it’s Jeff Burrows and Stuart Chatwood who steal the show for me;  Burrows with his tasteful and powerful drumming and Chatwood with his multi-instrumental talents to go with his excellent bass playing.

These guys are in total command of their experimental, yet still ROCK, sound and it’s evident right off the bat on “Army Ants” where Martin’s guitar doesn’t sound like a guitar at all in certain parts.   From there, it’s into the classic “Fire in the Head” and on to one strong performance after another.

Highlights for me include their performances of “Transmission,” “Save Me” and the show centerpiece “Sister Awake.” As I said in the opening paragraph, at times these guys seem to take themselves a little too seriously, but the bottom line is they always deliver.  Consummate professionals and songwriters who are willing to take risks.  I only wish they were still together…

Rating:  4.5 out of 5

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Tricky Woo – Sometimes I Cry

1999 Sonic Unyon

On any given day, this is my favorite album of all time.  If every band in existence had the sheer energy, conviction and sense of reckless abandon contained on this disc, the world would be a better place.   Everything Jet, Wolfmother and all the other hip retro bands are doing was done better and done first by Tricky Woo right here on this collection of chaos disguised as songs.

The best way I know of to describe the sound is the energy and intensity of Jimi Hendrix’s classic “Fire” juiced up with crisp modern production values and undoubtedly a whole lotta beer.    Seriously…this is the kind of insane racket your parents were afraid you would create when they bought you your first guitar or drum set.

Yep, the whole thing just explodes out of your sorry woofers (thank you Martin Popov) with a relentless drunken conviction that is absolutely infectious on opening instrumental kicker “Altamont Raven” and doesn’t let up for even a second.  The whole thing clocks in at about a half hour and leaves you absolutely exhausted in the best way possible.

If you’ve had a bad day or are dreading your drive to work in the morning, put this on the ol’ car stereo and it’ll put a smile on your face…guaranteed.  You’ll find yourself singing along to some of the dumbest (and I mean that with the utmost respect!) lyrics you’ve ever heard…and loving every minute of it!

To wit:  “Fly the Orient” (‘I’m not a man, I’m a coastline.’), “Let the Good Times Roll” (‘And I know where I’m goin’, I’m gonna let the good times roll.’), “Born Due” (‘I get up in the morning just to get down.’), and the immortal chorus of “Sad Eyed Woman” (‘I’m gonna save you with rock and roll, rock and roll, rock and roll.’).

All of this could be cause for eye rolls if not for the fact that the energy and conviction are off the charts and the songs themselves are so damn good and full of hooks.  The opening riff of “Born Due” has to be one of the coolest riffs EVER, and the aforementioned chorus of “Sad Eyed Woman” just stomps relentlessly with a crazed confidence.

Do yourself a favor and order it online, as it was never released in the US.  This disc is Fun with a great, big, fat capital ‘F’.

Rating:  5 out of 5